Arts Criticism

‘Emma.’: A heavy-handed period piece

By Cole Fowler @thecolefowler
March 5, 2020

Joseph’s concert in Houston: a chilling experience

By Kayla Simpson @kaylahsimpson
March 5, 2020

‘The Invisible Man’ diverts from Hollywood clichés

By Olivia Crow @ThatCrowski
March 4, 2020

‘Seberg’ botches the fascinating true story

By Joseph Ornelas @JosephOrnelas11
March 4, 2020

‘All the Bright Places’: A warm yet heartbreaking film

By Katen Adams @Katen_ann
March 4, 2020

Looking forward to South by Southwest Film Festival

By Cole Fowler @thecolefowler
March 3, 2020

True-crime podcasts take a new form in mystery-thriller novel ‘Conviction’

By Hannah Chambers @txbibliophile
March 2, 2020

Kvelertak return with fun, epic and pummeling ‘Splid’

By Joseph Ornelas @JosephOrnelas11
February 28, 2020

Sinking into ‘Man Alive!’

By Jon Couch @batt_couch
February 26, 2020

‘The Goop Lab’: A look at Gwyneth Paltrow’s pseudoscience

By Evan van den Eijnden @EijndenEvan
February 25, 2020

‘Horse Girl’: off-beat and off-mark

By Olivia Crow @ThatCrowski
February 25, 2020

Glass Animals’ ‘Your Love (Deja Vu)’ strongest track yet

Kayla Simpson @kaylahsimpson
February 24, 2020

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