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All content by By Jon Couch @batt_couch
Feeling out Fleet Foxes’ ‘Shore’
By Jon Couch @batt_couch
October 13, 2020
Microphones in 2020 and beyond
By Jon Couch @batt_couch
September 1, 2020
‘The New Abnormal’ is instant nostalgia
By Jon Couch @batt_couch
April 19, 2020
‘Eternal Atake’ is a flash in the pan
By Jon Couch @batt_couch
April 8, 2020
Sleeping through ‘Dreamland’
By Jon Couch @batt_couch
March 5, 2020
Sinking into ‘Man Alive!’
By Jon Couch @batt_couch
February 26, 2020
“Father of All …” disappointments
By Jon Couch @batt_couch
February 19, 2020
Attending Lil Wayne’s ‘Funeral’
By Jon Couch @batt_couch
February 9, 2020
‘Circles’ breaks the trend of posthumous releases
By Jon Couch @batt_couch
January 23, 2020
The impotency of posthumous releases in music
By Jon Couch @batt_couch
December 4, 2019
Mary Magdalene and a study in heartbreak
By Jon Couch @batt_couch
November 19, 2019
What My Chemical Romance gave us
By Jon Couch @batt_couch
November 14, 2019
Taking the bedroom out of bedroom pop
By Jon Couch @batt_couch
November 10, 2019
The price of Kanye’s salvation
By Jon Couch @batt_couch
October 31, 2019
Reviewing the Intelligent Music Project’s ‘Sorcery Inside’
By Jon Couch @batt_couch
October 29, 2019
Big Thief’s gentle opus
By Jon Couch @batt_couch
October 22, 2019
An explosive resurfacing of controversial ex-Brockhampton rapper
By Jon Couch @batt_couch
October 6, 2019
What we bury with Ric Ocasek
By Jon Couch @batt_couch
September 22, 2019
‘It Chapter Two:’ Not just a clown, but the whole circus
By Jon Couch @batt_couch
September 19, 2019
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