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All content by By Cole Fowler @thecolefowler
How Netflix screwed over ‘Cuties’
By Cole Fowler @thecolefowler
October 1, 2020
‘Emma.’: A heavy-handed period piece
By Cole Fowler @thecolefowler
March 5, 2020
Looking forward to South by Southwest Film Festival
By Cole Fowler @thecolefowler
March 3, 2020
Romance as Horror: The dark side of love
By Cole Fowler @thecolefowler
February 12, 2020
Best of the fest: Sundance 2020
By Cole Fowler @thecolefowler
January 29, 2020
Fowler’s favorite films of 2019
By Cole Fowler @thecolefowler
January 17, 2020
Fowler’s favorite films of the 2010s
By Cole Fowler @thecolefowler
January 13, 2020
Cannes Film Festival delivers ground-breaking films
By Cole Fowler @thecolefowler
May 28, 2019
‘La Llorona’: Yet another cash in on the ‘Conjuring’ franchise
By Cole Fowler @thecolefowler
April 22, 2019
‘Pet Sematary’ needed to stay buried
By Cole Fowler @thecolefowler
April 10, 2019
‘The Beach Bum’ is a perfect hangout movie
By Cole Fowler @thecolefowler
April 10, 2019
‘The Highwaymen’ is tedious
By Cole Fowler @thecolefowler
April 3, 2019
‘Dumbo’ is an uninspired cash grab
By Cole Fowler @thecolefowler
March 31, 2019
‘Us’ struggles to find its voice
By Cole Fowler @thecolefowler
March 27, 2019
‘Five Feet Apart’ falls short
By Cole Fowler @thecolefowler
March 19, 2019
‘Triple Frontier’ runs out of steam
By Cole Fowler @thecolefowler
March 18, 2019
‘Paddleton’ finds success in its simplicity
By Cole Fowler @thecolefowler
March 4, 2019
Academy Awards 2019: Another year of Hollywood giving awards to mediocre films
By Cole Fowler @thecolefowler
February 25, 2019
‘Fighting with My Family’ is delightful yet predictable
By Cole Fowler @thecolefowler
February 24, 2019
Black history through horror movies
By Cole Fowler @thecolefowler
February 20, 2019
‘The Prodigy’ is over-reliant on its dark ending
By Cole Fowler @thecolefowler
February 10, 2019
‘Conversations with a Killer’ depicts Bundy without glorifying him
By Cole Fowler @thecolefowler
February 3, 2019
“Glass” is a drab conclusion to a mediocre trilogy
By Cole Fowler @thecolefowler
January 31, 2019
“On the Basis of Sex:” an underwhelming biopic
By Cole Fowler @thecolefowler
January 24, 2019
Widows: An overabundance of subplots
By Cole Fowler @thecolefowler
November 25, 2018
“Green Book” is charming despite its flaws
By Cole Fowler @thecolefowler
November 19, 2018
“The Ballad of Buster Scruggs:” A lackluster western collage
By Cole Fowler @thecolefowler
November 19, 2018
“Beautiful Boy” Great acting saves mediocre film
By Cole Fowler @thecolefowler
November 12, 2018
‘Suspiria’: The resurrection of giallo
By Cole Fowler @thecolefowler
November 11, 2018
‘Mid90s’ prioritizes style over substance
By Cole Fowler @thecolefowler
November 5, 2018
“The Kindergarten Teacher:” From Fascination to Obsession
By Cole Fowler @thecolefowler
October 30, 2018
“22 July” a hollow portrayal of a harrowing day
By Cole Fowler @thecolefowler
October 24, 2018
“The Hate U Give” is a lousy film with an important message
By Cole Fowler @thecolefowler
October 22, 2018
“Halloween:” Terror Incarnate
By Cole Fowler @thecolefowler
October 17, 2018
The Haunting: A descent into madness
By Cole Fowler @thecolefowler
October 8, 2018
“Neruda” combines fantasy and reality
By Cole Fowler @thecolefowler
October 1, 2018
El Mariachi: Robert Rodriguez’s bloody debut
By Cole Fowler @thecolefowler
September 24, 2018
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