Skip to Main Content
The Battalion
Facebook
Instagram
X
YouTube
News
Campus
Metro
Crime & Courts
Life & Arts
Features
Sports
Football
Volleyball
Softball
Basketball
Baseball
Soccer
Sports Commentary
Sports Contributions
Opinion
Columns
Arts Criticism
Guest Commentary
Editorials
Maroon Life Magazine
Magazine Digital Stories
Traditions
Silver Taps
Bonfire
Ring Day
Muster
Swan Songs
Multimedia
Photo Galleries
Artwork
Podcasts
Print Issues
About
Advertising with The Battalion or Maroon Life
Support Student Media at Texas A&M
Contact
Careers
Staff
Awards and Recognition
The Aggieland Yearbook
Rent Housing
More
Search this site
Submit Search
Open Navigation Menu
The Battalion
News
Campus
Metro
Crime & Courts
Life & Arts
Features
Sports
Football
Volleyball
Softball
Basketball
Baseball
Soccer
Sports Commentary
Sports Contributions
Opinion
Columns
Arts Criticism
Guest Commentary
Editorials
Maroon Life Magazine
Magazine Digital Stories
Traditions
Silver Taps
Bonfire
Ring Day
Muster
Swan Songs
Multimedia
Photo Galleries
Artwork
Podcasts
Print Issues
About
Advertising with The Battalion or Maroon Life
Support Student Media at Texas A&M
Contact
Careers
Staff
Awards and Recognition
The Aggieland Yearbook
Rent Housing
More
The Battalion
Open Search Bar
Search this site
Submit Search
Open Navigation Menu
The Battalion
News
Campus
Metro
Crime & Courts
Life & Arts
Features
Sports
Football
Volleyball
Softball
Basketball
Baseball
Soccer
Sports Commentary
Sports Contributions
Opinion
Columns
Arts Criticism
Guest Commentary
Editorials
Maroon Life Magazine
Magazine Digital Stories
Traditions
Silver Taps
Bonfire
Ring Day
Muster
Swan Songs
Multimedia
Photo Galleries
Artwork
Podcasts
Print Issues
About
Advertising with The Battalion or Maroon Life
Support Student Media at Texas A&M
Contact
Careers
Staff
Awards and Recognition
The Aggieland Yearbook
Rent Housing
More
The Battalion
Open Search Bar
Search this site
Submit Search
All content by By Cole Fowler @thecolefowler
How Netflix screwed over ‘Cuties’
By Cole Fowler @thecolefowler
October 1, 2020
‘Emma.’: A heavy-handed period piece
By Cole Fowler @thecolefowler
March 5, 2020
Looking forward to South by Southwest Film Festival
By Cole Fowler @thecolefowler
March 3, 2020
Romance as Horror: The dark side of love
By Cole Fowler @thecolefowler
February 13, 2020
Best of the fest: Sundance 2020
By Cole Fowler @thecolefowler
January 30, 2020
Fowler’s favorite films of 2019
By Cole Fowler @thecolefowler
January 17, 2020
Fowler’s favorite films of the 2010s
By Cole Fowler @thecolefowler
January 13, 2020
Cannes Film Festival delivers ground-breaking films
By Cole Fowler @thecolefowler
May 29, 2019
‘La Llorona’: Yet another cash in on the ‘Conjuring’ franchise
By Cole Fowler @thecolefowler
April 22, 2019
‘Pet Sematary’ needed to stay buried
By Cole Fowler @thecolefowler
April 10, 2019
‘The Beach Bum’ is a perfect hangout movie
By Cole Fowler @thecolefowler
April 10, 2019
‘The Highwaymen’ is tedious
By Cole Fowler @thecolefowler
April 4, 2019
‘Dumbo’ is an uninspired cash grab
By Cole Fowler @thecolefowler
March 31, 2019
‘Us’ struggles to find its voice
By Cole Fowler @thecolefowler
March 27, 2019
‘Five Feet Apart’ falls short
By Cole Fowler @thecolefowler
March 20, 2019
‘Triple Frontier’ runs out of steam
By Cole Fowler @thecolefowler
March 18, 2019
‘Paddleton’ finds success in its simplicity
By Cole Fowler @thecolefowler
March 4, 2019
Academy Awards 2019: Another year of Hollywood giving awards to mediocre films
By Cole Fowler @thecolefowler
February 25, 2019
‘Fighting with My Family’ is delightful yet predictable
By Cole Fowler @thecolefowler
February 25, 2019
Black history through horror movies
By Cole Fowler @thecolefowler
February 20, 2019
‘The Prodigy’ is over-reliant on its dark ending
By Cole Fowler @thecolefowler
February 10, 2019
‘Conversations with a Killer’ depicts Bundy without glorifying him
By Cole Fowler @thecolefowler
February 3, 2019
“Glass” is a drab conclusion to a mediocre trilogy
By Cole Fowler @thecolefowler
January 31, 2019
“On the Basis of Sex:” an underwhelming biopic
By Cole Fowler @thecolefowler
January 24, 2019
Widows: An overabundance of subplots
By Cole Fowler @thecolefowler
November 26, 2018
“Green Book” is charming despite its flaws
By Cole Fowler @thecolefowler
November 19, 2018
“The Ballad of Buster Scruggs:” A lackluster western collage
By Cole Fowler @thecolefowler
November 19, 2018
“Beautiful Boy” Great acting saves mediocre film
By Cole Fowler @thecolefowler
November 12, 2018
‘Suspiria’: The resurrection of giallo
By Cole Fowler @thecolefowler
November 11, 2018
‘Mid90s’ prioritizes style over substance
By Cole Fowler @thecolefowler
November 5, 2018
“The Kindergarten Teacher:” From Fascination to Obsession
By Cole Fowler @thecolefowler
October 30, 2018
“22 July” a hollow portrayal of a harrowing day
By Cole Fowler @thecolefowler
October 24, 2018
“The Hate U Give” is a lousy film with an important message
By Cole Fowler @thecolefowler
October 22, 2018
“Halloween:” Terror Incarnate
By Cole Fowler @thecolefowler
October 17, 2018
The Haunting: A descent into madness
By Cole Fowler @thecolefowler
October 8, 2018
“Neruda” combines fantasy and reality
By Cole Fowler @thecolefowler
October 1, 2018
El Mariachi: Robert Rodriguez’s bloody debut
By Cole Fowler @thecolefowler
September 24, 2018
Load More Stories
Donate to The Battalion
Full Name (as appears on credit card)
Email
I would like to remain anonymous. (Name will only be used to verify billing.)
$10
$15
$25
$50
Other
Custom Donation Amount
Card Details
I agree to the
terms of service
.
Submit Donation
Submitting donation...
There was an issue submitting your request.
Close
Close Modal Window
Close