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The Battalion

The Student News Site of Texas A&M University - College Station

The Battalion

The Student News Site of Texas A&M University - College Station

The Battalion

Sophomore LHP Shane Sdao (38) reacts after a strikeout during Texas A&Ms game against Texas at Disch-Falk Field on Tuesday, March 5, 2024. (CJ Smith/The Battalion)
A Sunday salvage
May 12, 2024
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The Northgate district right adjacent to the Texas A&M campus houses a street of bars and other restaurants.  
Programs look to combat drunk driving
Alexia Serrata, JOUR 203 contributor • May 10, 2024
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Junior Mary Stoiana reacts during Texas A&M’s match against Oklahoma at the NCAA Women’s Tennis Regional at Mitchell Tennis Center on Sunday, May 5, 2024. (CJ Smith/The Battalion)
No. 13 A&M upsets No. 5 Virginia in dominant fashion, 4-1
Roman Arteaga, Sports Writer • May 17, 2024

No. 13 Texas A&M women’s tennis met Virginia in the quarterfinal of the NCAA Tournament on Friday, May 17 at the Greenwood Tennis Center...

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Beekeeper Shelby Dittman scoops bees back into their hive during a visit on Friday, April 5, 2024. (Kyle Heise/The Battalion)
Bee-hind the scenes
Shalina Sabih, Sports Writer • May 1, 2024

The speakers turn on. Static clicks. And a voice reads “Your starting lineup for the Texas A&M Aggies is …” Spectators hear that...

Kennedy White, 19, sits for a portrait in the sweats she wore the night of her alleged assault inside the Y.M.C.A building that holds Texas A&M’s Title IX offices in College Station, Texas on Feb. 16, 2024 (Ishika Samant/The Battalion).
'I was terrified'
April 25, 2024
Scenes from 74
Scenes from '74
April 25, 2024
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Farewell from the graduating Battalion staff of 2024
Farewell from the graduating Battalion staff of 2024
The Battalion May 4, 2024

Music notes

Stephen Malkmus & The Jicks released their album, “Real Emotional Trash,” a follow-up to “Face the Truth.” Janet Weiss of Quasi, the disbanded Sleater-Kinney, and The Jicks, contributes to the solidness of the band’s performance,
giving structure to Malkmus’ guitar-noodling. The Jicks form a complete package, as worthy of the spotlight as the frontman himself.
The better songs on “Real Emotional Trash” refrain from the jam band self-indulgence that typifies Malkmus’ output. “Out of Reaches,” with a keyboard bedecking the bridge section, is as pretty as Christmas lights. “Gardenia” is one of the more memorable tracks on the album. The sunny optimism of early 1960s British pop shines through, but what makes this song work are the back-up vocals, infectious to the point of overtaking Malkmus’ melody.
“We Can’t Help You” is a formulaic penultimate track that’s in direct contradiction to the song title. As for the closer, “Wicked Wanda,” it ends on a lackluster note that would otherwise be a decent effort.
The problem at hand with Stephen Malkmus’ output over the course of this decade is lack of quality control, and hopefully that will change with Janet Weiss in the picture. The songs tend to be boring – listeners want a little variation, interesting instrumentation. They want proof that the artist respects his audience and desires to give them quality. Some, not all, want to hear a hook, because a good hook is no mean feat. Those are all of Malkmus’ faults. I am sure he can pull off a fifth album before the end of this decade that will excite old Pavement fans and newcomers alike.
I hereby assign “Real Emotional Trash” (Matador, 2008), a “C” – not too bad, but not too good either.

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