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The Battalion

The Student News Site of Texas A&M University - College Station

The Battalion

The Student News Site of Texas A&M University - College Station

The Battalion

Texas A&M University System Chancellor John Sharp attends the Class of 1972 50-year reunion in Kyle Field on April 20, 2022.
A&M System’s Title IX director suspended after supporting Biden's Title IX changes
Nicholas Gutteridge, Managing Editor • May 23, 2024
Mexico fans react after Mexico F Julián Quiñones 73rd-minute goal during the MexTour match between Mexico and Brazil at Kyle Field on Saturday, June 8, 2024. (Kyle Heise/The Battalion)
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Ian Curtis, Sports Reporter • June 11, 2024

As soon as the Mexico-Brazil soccer match at Kyle Field was announced, Jacob Svetz and Caitlin Falke saw an opportunity.  The match was scheduled...

The Fighting Texas Aggie Band performs at halftime during Texas A&Ms football game against ULM at Kyle Field on Saturday, Sept. 16, 2023.
Gridiron glory to multi-event marvel
Shalina Sabih, Sports Writer • June 7, 2024

Special teams: Special events  “My favorite thing about an event is seeing the people come into the stadium and seeing their excitement...

Kennedy White, 19, sits for a portrait in the sweats she wore the night of her alleged assault inside the Y.M.C.A building that holds Texas A&M’s Title IX offices in College Station, Texas on Feb. 16, 2024 (Ishika Samant/The Battalion).
'I was terrified'
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Chris Hemsworth as Dementus in Furiosa: A Mad Max Saga.
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Justin ChenJune 4, 2024

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Texas A&M pitcher Chris Cortez (10) reacts during Texas A&M’s game against Oregon at the NCAA Bryan-College Station Super Regional at Olsen Field on Saturday, June 8, 2024. (CJ Smith/The Battalion)
One step away
June 8, 2024

Music notes

Stephen Malkmus & The Jicks released their album, “Real Emotional Trash,” a follow-up to “Face the Truth.” Janet Weiss of Quasi, the disbanded Sleater-Kinney, and The Jicks, contributes to the solidness of the band’s performance,
giving structure to Malkmus’ guitar-noodling. The Jicks form a complete package, as worthy of the spotlight as the frontman himself.
The better songs on “Real Emotional Trash” refrain from the jam band self-indulgence that typifies Malkmus’ output. “Out of Reaches,” with a keyboard bedecking the bridge section, is as pretty as Christmas lights. “Gardenia” is one of the more memorable tracks on the album. The sunny optimism of early 1960s British pop shines through, but what makes this song work are the back-up vocals, infectious to the point of overtaking Malkmus’ melody.
“We Can’t Help You” is a formulaic penultimate track that’s in direct contradiction to the song title. As for the closer, “Wicked Wanda,” it ends on a lackluster note that would otherwise be a decent effort.
The problem at hand with Stephen Malkmus’ output over the course of this decade is lack of quality control, and hopefully that will change with Janet Weiss in the picture. The songs tend to be boring – listeners want a little variation, interesting instrumentation. They want proof that the artist respects his audience and desires to give them quality. Some, not all, want to hear a hook, because a good hook is no mean feat. Those are all of Malkmus’ faults. I am sure he can pull off a fifth album before the end of this decade that will excite old Pavement fans and newcomers alike.
I hereby assign “Real Emotional Trash” (Matador, 2008), a “C” – not too bad, but not too good either.

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