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The Battalion

The Student News Site of Texas A&M University - College Station

The Battalion

The Student News Site of Texas A&M University - College Station

The Battalion

Texas A&M University System Chancellor John Sharp attends the Class of 1972 50-year reunion in Kyle Field on April 20, 2022.
A&M System’s Title IX director suspended after supporting Biden's Title IX changes
Nicholas Gutteridge, Managing Editor • May 23, 2024
Texas A&M fans react after The Aggies win the NCAA Bryan-College Station Super Regional at Olsen Field on Sunday, June 9, 2024. (CJ Smith/The Battalion)
The mad dash to Omaha
Ian Curtis, Sports Reporter • June 21, 2024

After Texas A&M baseball’s win over Florida sent the Aggies to their first Men’s College World Series Championship Series in program...

Texas A&M pitcher Ryan Prager (18) delivers a pitch during Texas A&M’s game against Kentucky at the NCAA Men’s College World Series at in Omaha, Nebraska on Monday, June 17, 2024. Prager went for 6.2 innings, allowing two hits and zero runs. (Chris Swann/The Battalion)
Sixth sense
June 18, 2024
Enjoying the Destination
Enjoying the Destination
Cara Hudson, Maroon Life Writer • June 17, 2024

For the history buffs, there’s a story to why Bryan and College Station are so closely intertwined. In 1871 when the Texas Legislature approved...

Chris Hemsworth as Dementus in Furiosa: A Mad Max Saga.
Review: ‘Furiosa’ is a must-see
Justin ChenJune 4, 2024

My jaw dropped open in 2016. Rarely in life does that happen, but the viewing experience of “Mad Max: Fury Road" was something to behold....

The Post Movie Review

Photo by Graphic by Alex Sein
The Post

“The Post” is a movie with important themes to convey. Its first goal is to send a message by calling out politicians, reasserting the right to free press within the First Amendment and pointing out the necessity of journalism in a democracy such as ours.
Its secondary goal is to entertain. The movie fulfilled its primary purpose with ease, using actual telephone recordings of Nixon threatening members of his staff and the press to draw frightening comparisons between the political atmosphere of the past and the present.
For the purpose of this review, however, I’m not going to dive too deep into the politics of the film. Instead, I will focus on the aspects of the movie that were designed to entertain: The fascinating true story, and the compelling characters that played a role in it.
Directing legend Steven Spielberg utilized his great experience in movie making to breathe life into a film that might have smothered itself with its message under a different director. He created representations of the real-life people who lived the events portrayed on screen that undergo real development and growth. They act as more than just a means to further the film’s message.
Meryl Streep’s character, the timid owner of The Washington Post, Katharine Graham, is especially well acted. Streep plays the meek and abashed role very well at the beginning of the film, but delivers an even better performance as her character grows into someone who isn’t afraid to assert herself.
Tom Hanks delivers a memorable performance as well, as his character — the cocky, print-first-ask-questions-later editor of The Post, Ben Bradlee — begins to realize the scope of his actions and the effects they have on others as the film progresses.
The film’s plot, similar to its message and its characters, takes itself seriously and develops at a brisk and dramatic pace.
Spielberg recognizes the significance of the story he’s telling, and does a good job of making the audience understand that significance as well.
Spielberg takes Nixon’s attempt to forbid the press from reporting on a damning study about the negative outcomes of the Vietnam War and translates it beautifully to the screen. When the movie ends, you feel as though you’ve witnessed something historic and important.
Beyond the story and characters, the movie had some great shots in it as well — an overhead circling shot of Streep in a flowing white gown comes to mind. It was convincing as a story that takes place largely in a 1970s newsroom, and the costumes and atmosphere all seemed spot on to me.
“The Post” isn’t a traditional Hollywood film in the sense that its number one goal is not to please its audience but to deliver a message.
Although it might not have focused on entertainment in the traditional sense, it still provided a cast of interesting characters set up against the backdrop of one of the most important events in journalistic history. It is worth a watch.

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