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The Battalion

The Student News Site of Texas A&M University - College Station

The Battalion

The Student News Site of Texas A&M University - College Station

The Battalion

Texas A&M fans react after The Aggies win the NCAA Bryan-College Station Super Regional at Olsen Field on Sunday, June 9, 2024. (CJ Smith/The Battalion)
The mad dash to Omaha
June 21, 2024
Some international students at Texas A&M have been struggling to pick up groceries because of limited transportation options from campus to H-E-B and Walmart on Texas Avenue.
Former A&M employee sentenced to 5 years for hiding restroom camera
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Nicholas Gutteridge, Managing Editor • June 24, 2024
Texas A&M Head Coach Jim Schlossnagle stands in a huddle during Texas A&M’s game against Tennessee at the NCAA Men’s College World Series finals at Charles Schwab Field in Omaha, Nebraska on Saturday, June 22, 2024. (Hannah Harrison/The Battalion)
Schlossnagle reportedly taking head coaching job at Texas
Ian Curtis, Sports Reporter • June 25, 2024

Just one day after leading Texas A&M baseball to a runner-up appearance at the Men’s College World Series, coach Jim Schlossnagle is leaving...

Texas A&M outfielder Jace Laviolette (17) reacts in the dugout after Texas A&M’s game against Tennessee at the NCAA Men’s College World Series finals at Charles Schwab Field in Omaha, Nebraska on Monday, June 24, 2024. (Hannah Harrison/The Battalion)
United they fall
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Eats & Beats at Lake Walk features live music and food trucks for the perfect outdoor concert.
Enjoying the Destination
Cara Hudson, Maroon Life Writer • June 17, 2024

For the history buffs, there’s a story to why Bryan and College Station are so closely intertwined. In 1871 when the Texas Legislature approved...

Chris Hemsworth as Dementus in Furiosa: A Mad Max Saga.
Review: ‘Furiosa’ is a must-see
Justin ChenJune 4, 2024

My jaw dropped open in 2016. Rarely in life does that happen, but the viewing experience of “Mad Max: Fury Road" was something to behold....

Criticism: ‘Prey for the Devil’, To Hell with clerical sexism

Photo by Via IMDb

Arts criticism writer Neha Gopal says “Prey for the Devil” is thrilling as well as poignant.


Rating: 8/10

Demonic possession and exorcisms have long been familiar themes in jump scare films since “The Exorcism.” The sight of bodies contracting so wildly even hardcore contortionists find it frightening. Pale skin crumbling and even possessed children teleporting is no longer a novel cinematic invention. In terms of exorcism interpretation, “Prey For The Devil” may not offer the most original angle, but by unflinchingly exploring generational trauma, survivor’s guilt, empathy and recovery, the horror flick exposes a tangle of internal mythologies that make it both terrifying and profoundly moving.

When science and medicine are mixed with religion and the supernatural, an interesting juxtaposition is presented as they work together to prevent tragic outcomes for deeply uncouth individuals. In exorcism movies, the main plot is often set in the character’s disheveled home. However, “Prey for the Devil” mostly unfolds within the confines of a religious institution dedicated to understanding demonic possessions in correlation with mental illness.  

Studies in case reports and academic journals have documented that religious professionals should encourage appropriate psychiatric treatment and increase their knowledge of mental illnesses. Through psychological evaluations, physical examinations and the triage of exorcisms, an exorcist’s art of discernment allegedly draws on science and religion to locate the source of trouble.

Rather than being at odds with one another, psychiatrists and exorcists work together in “Prey for the Devil” to recover individuals. The setting is sterile and faithful, pious and academic, a sanctuary for the troubled and a hell for the possessed.

Under her compassionate exterior, Sister Ann, played by Jacqueline Byers, is grappling with an unholy amount of emotional trauma. Ann’s narrative is a story of generational trauma, in which her encounters with the demon who possessed her mother led to consequences in her life which extended to others. The church’s ancient doctrine of exorcists being a male’s job conflicts with Sister Ann’s gift of helping the possessed. According to a Variety Review, “Byers is likable enough to make her heroine one we wouldn’t mind seeing reprised.” 

As those tormented by these demons also endured their metaphorical demons, several moments in the movie were disturbing and poignant. As the demon plagues the possessed minds, the possessed bodies bend and crack, and it’s, to put it mildly, downright terrifying. Church clerics’ faux pas reflect a desire to rid the “monster” behind the individual, whereas the less-than-holy doctors and protagonists recognize the victim behind monstrous circumstances. 

According to Cine Movies, “Prey For The Devil” is freaky rather than scary, especially during the contortion scenes when the actor’s bodies bend and crack when the demon takes over. Those scenes are bone-chilling.”

In contrast, many film critics have crucified the movie. It has been described by AV as a “ruthlessly edited would-be horror film with little originality,” while Chron has declared, “at last, the glass ceiling of poor ‘Exorcist’ knockoffs has been broken.” With such scorching reviews, it’s safe to say that this movie was the perfect prey for dedicated critics to pounce on. 

Although Sister Ann’s internal turmoil and role within a gender-divided spiritual institution is an intriguing angle, it was relatively overlooked. 

According to Variety, “this faux-progressive battle of the sexes is mostly just set dressing, an underexplored idea that has very little to do with Sister Ann’s character arc,” while Variety was highly critical of the movie’s failures, stating, “Even if it falls short of being particularly memorable or scary, this is a decently entertaining possession potboiler.”

“Prey for the Devil” achieves what horror movies are all about: scaring audiences. It was an incredible and intense cinematic undertaking that depicted Sister Ann’s journey and its themes of medicinal empathy and healing trauma in a way that has the potential to scare many this Halloween.

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